Jeff Zahos

Recently I had the opportunity to produce and record a project with percussionist Matt Jacklin.  We completed two sessions, one week apart in Foellinger Great Hall at the Krannert Center for the Performing Arts.

Matt_Jacklin_Recording_Project

We recorded three pieces:

Session 1 (4.11.2010):  Bernard-Francois Machet – Phenix (for vibraphone and 9 tom-toms)

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Session II (4.18.2010): Andrew Thomas – Merlin (for marimba),  Jacob Druckman – Reflections on the Nature of Water (for marimba)

Session I Photos:

Session II Photos:

John Phillips Harpsichord in Follinger Great Hall, Krannert Center for the Performing Arts

On 01.04.10 and 01.04.10, I had the wonderful opportunity to assist engineer Jon Schoenoff in recording harpsichordist Charlotte Mattax performing several suites of baroque comoser Pierre Fevrier for an upcoming release on Centaur Records.  The session took place in the Foellinger Great Hall of the Krannert Center for the Performing Arts, my favorite space (for sentimental reasons in addition to sonic ones).  Keyboardist/Choral Conductor Kerry Heimann was present as producer.  Added to all that, Mattax performed on a beautiful new instrument by John Phillips of Berkeley, CA, which belongs to the University of Illinois School of Music.  Phillips was present to assist with production and with keeping the instrument in tune – a challenge given the extremely cold and dry weather (the instrument had to be moved in on the first day of recording).

Mics used:

• 3 Schoeps CMC6
• 1 Neumann U87

Techniques:

Two CMC6s were placed L and R, on high (~12′) Atlas iron-based stands.  A single CMC6 (wide cardioid) and the U87 were placed next to each other (giving two options for “main” mics) about 4′ high and about 5′ or 6′ in front of the instrument.