A tribute to one of my most important mentors.

I mixed monitors and worked as A2 for an opera premier

I’ve been making short audio training videos, starting with console and sound reinforcement system training. More topics to come soon!

Mixing audio is listening in action.

I made two half-height boom mic stands out of one straight stand. Here’s how I did it.

I was the recording engineer for the National Repertory Orchestra in Breckenridge, Colorado for two seasons.

I designed and built a mobile, modular cart for sound design and show control.

Here are some ideas for mic stand storage and moving.

I recorded the Troublesome Gap Music Festival and composer’s workshop in the Smoky Mountains of North Carolina.

Recording a choir with orchestra can be tricky.

I led a project to upgrade the Doudna Fine Arts Center to a Dante digital audio network.

I built the Hamptone HVTP2 tube microphone preamplifier from a kit.

There are some things I like done in a specific way in my “shop”.

I created an immersive and responsive sound and movement installation.

I mixed and mastered the self-titled debut album of this Champaign, IL-based roots rock band.

I recorded and mixed the audio for the "Moving Pictures" DVD by the Champaign-Urbana Symphony.

I built a circuit kit to improve the sound of my Realistic PZM microphones and allow them to be used with phantom power.

I recorded and mixed djembe master Bolokada’s Conde Afro-pop/Traditional Mande fusion group Rhythm Manding.

I recorded, mixed, and mastered the Atlantic Harp Duo’s CD A Journey with Chopin & Sand.

I built this sound studio with Andy Krumeich at the Krannert Center for the Performing Arts

I designed the sound for this theatrical presentation of poems and creative writing.